Archive for the ‘Art’ Category

Stanley Donwood’s El Chupacabra, July – August, 2009

Tuesday, June 23rd, 2009

Stanley Donwood’s new show, El Chupacabra, opens July 10th at the Weapon of Choice Gallery in Bristol, England. In other words, anyone living in England who doesn’t go to this show is taking for granted the fact that they don’t have to buy a $1,000 plane ticket to get to Bristol.

Donwood says about the show:

There are thirteen Pandemons in the show called ‘el chupacabra’. Thirteen ghosts at the funeral. Thirteen spectres at the feast of the goat. Loitering on the blackened cliffs of free-market economics, cackling as they raise a glass to toast Milton Friedman, Ronald Reagan, Margaret Thatcher and Augusto Pinochet. Gallons of paint I’ve poured over them to drown their snickering. But still they laugh.”

Read about it on the Weapon of Choice Gallery blog.

A Case for Vera, by Pink Floyd

Monday, April 28th, 2008

Vera is track number 4 on part 2 of Pink Floyd’s The Wall.

To me, Vera is the central axis around which The Wall revolves. It is a sudden moment of clarity amidst the madness of Pink’s life, a life that has reached a moment of crisis. You can compare Vera to its mirror image, the 4th track from the end of Part 1, One of my Turns, which shows us a frenzied and (maybe final) encounter with whatever lover is in Pink’s life currently.

After One of My Turns, Pink regrets his actions in Don’t Leave Now, finishes the trilogy of his wall-building with Another Brick in the Wall (Part III) and contemplates suicide in Goodbye Cruel World. Obviously, he doesn’t go through with it, because he then asks, Hey You, Is There Anybody Out There? and find his answer in Nobody Home.

This final realization about his absolute isolation and impending mental collapse gives way to a simple human yearning for the one person that this broken figure was able to love, and we get the short lyric about Vera Lynn.

Does anybody here remember Vera Lynn?
Remember how she said that we would meet again
Some sunny day.

Vera, Vera, what has become of you?
Does anybody else in here feel the way I do?

It seems obvious that if Vera had come back, as she swore she would, Pink wouldn’t be in such a mess. If he still had love, then it would be impossible to be completely surrounded by a wall. Due to this loss, and the realization of its finality, the wall is complete, and we move into the climax of the album, where Pink bounces between despair (Comforably Numb) and psychosis (In the Flesh) or both at the same time (Waiting for the Worms).

Modern Times and the Living Past by Henry Elson Provides a Glimpse into History

Wednesday, March 5th, 2008

Modern Times and the Living Past

I love making glue books, and collage culture in general. I try to make it to a flea market at least 5 times a year to collect old ephemra, printed matter and a book. Often, choosing the book is an excrutiating task which basically revolves around this: “Which of these books can I destroy while creating a new work of art without feeling too bad about it?” I try to remind myself that most of the books will end up in the trash if no one buys them, so I am doing no great harm. However, this relunctance continues at home, where I read and scan over the book to make sure there is nothing in it that needs to be saved.

My latest purchase was Modern Times and the Living Past, by Henry Elson. Elson was, at the time of the book’s publication (1921), a Lecturer on History at New York University. It is a history text for school kids, probably junior high or high school, and covers history from the dawn of civilization through the end of “The World War.” In scanning the book for salvagable content, I soon found myself receiving my own history lesson, though not on Alexander the Great or Mary Queen of Scots or the other condensed stories in the book. Instead, I found a lesson on the great amount of intellectual racism still present in America in 1921. And no, we’re not talking about Selma, Alabama here, so all you New York City better-than-thou’s can wake up now: racism wasn’t a deep south, redneck phenomenon. It was often packaged and waxed eloquently by the big city professors. And we all know that supporting bigotry with reasoning, oratory and persuasiveness is much scarier than being that way because that’s “how your daddy raised ya.” (more…)

Music: Jeremy Larson Blends Indie Rock with Stylish Composition

Friday, December 14th, 2007

One of the most promising musicians emerging from Springfield, Missouri’s downtown art renaissance is Jeremy Larson. Classically trained, Larson is a one man band of sorts, laying down all the instruments and vocals in his 5 track Swim EP. He continues this on stage, building layers of live samples and vocal tracks into intelligent rock songs with a totally new feel (see the video below).

Larson’s vocals are at times loud and forceful, at other times melodic and quiet–but they always sound honest. The lyrics–inspired by love, loss and life–are introspective, always searching for meaning and value in the topics they address.

Nuria of Nuria y El Tono Launches Website

Sunday, October 7th, 2007

Nuria Mora Website Screen Shot

After having gained recognition doing collaborative works with El Tono, street artist Nuria finally has her own space, complete with a wonderfully cute hand-embroidery theme. Make sure to check it out at nuriamora.com.

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Shiny Toy Guns Play on Conan O’Brien

Tuesday, August 7th, 2007

Another great talk show performance by the Shiny Toy Guns… But is it just me, or does anybody else hate the audio mixing on these talk shows? You never really notice it when it is just some random band: but when you know the song, and you love the band, it really stands out. Watching a band play on a major late night talk show is like listening to an accapella track with some muted instrumentation behind it. They had Jeremy’s synth turned down to low and Mikey’s drums sounded like small, muted, mid-range “bups.” But I could still hear it all, and I liked some of the improvisational stuff coming from Chad and Jeremy.

A big shout out to Benjy Russell, who is responsible for the cover photograph and concepting. Also, I want to thank Jeremy, Jim and the band for giving me the opportunity to design such a successful album.